Home & Garden

Step Inside the Mind of a Nashville Interior Designer—and One of Her Enchanting Music City Homes

In her debut book, Interiors of a Storyteller, Stephanie Sabbe intertwines timeless design with tales from a thoughtful life
A living room with exposed beam ceiling details

Photo: Joseph Bradshaw

In a caption in her book, Interiors of a Storyteller, Stephanie Sabbe: “I went to a local lumber mill where I ran into a guy I went to high school with wearing a shirt that said, ‘I like hot moms,’ and that is where I found the antique beam you see in this image. He recognized me from twenty years ago. Maybe I’m a hot mom after all.”

Why do so many of us love looking through strangers’ lit windows on our evening walks, or take the chance to sneak to the upstairs powder room during a party? A person’s home says a lot about them. The wallpaper they chose for a bedroom may speak to their psyche; the hand-me-down credenza in the entryway may nod to their history.

stairway
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So when the Nashville interior designer Stephanie Sabbe, who also owns the decor shop Heirloom Artifacts, takes on a home, she centers each decision deeply—obsessively—on the highly specific needs, hobbies, interests, and personalities of her clients. But inevitably, a little bit of herself gets in there, too.

In her new book, Interiors of a Storyteller, Sabbe reveals how these stories are intertwined as she cheekily curates tours through nine of her most beautiful projects. “My story isn’t directly related to each project; the connections are loose,” Sabbe says. “But I feel like sharing compels other people to share. When I open up, it encourages clients to open up about who they are and what they want in their house and life.”

A cover of a book; a woman stands in a doorway

Photo: Joseph Bradshaw

Interiors of a Storyteller; interior designer Stephanie Sabbe.

Take the home on Parmer Avenue in Belle Meade, for instance, for which Sabbe teamed up with the architect Erin Cypress of Pfeffer Torode to execute a nearly top-to-bottom renovation. “The clients are in their forties with no kids,” Sabbe says. “They’re not formal. They have dogs and both of them hunt. They go to Montana some weekends for fly-fishing trips. They love to host.” 

A white home

Photo: Joseph Bradshaw

The house on Nashville’s Parmer Avenue featured in the book.

An entryway in a home; a green den with a tv over a fireplace

Photo: Joseph Bradshaw

Patterned wallpaper wraps around the entry room; pocket doors above a fireplace reveal the hidden TV.

Sabbe personalized everything in the house to their taste. Since one of the homeowners ties flies in his spare time, Sabbe placed an antique card table by a large window in the moody green sitting room. “We studied the lighting there to make sure he could see the twine,” Sabbe says. Across the room, a walk-in closet hides his supplies. Per the client’s request, Sabbe tucked a TV above the fireplace that can be covered by folding cabinet doors. “Turns out it is a small fireplace,” Sabbe wrote in a caption in her book, “and the proportional TV is literally the size of Michael Scott’s TV in the episode of The Office where he and Jan host a dinner party.” 

An entryway with patterned wallpaper and antique dresser; a bedside table with a wood dresser

Photo: Joseph Bradshaw

The entryway in the Parmer Avenue home; a guest bedroom.

Sabbe made the kitchen the house’s focal point, with a massive island perfect for entertaining and a hearth-style gas range surrounded by millwork designed to look a century old. She and Cypress shifted the layout of all the appliances to make the space more open and welcoming. 

A sitting table in a green den

Photo: Joseph Bradshaw

The homeowner’s fly-tying table.

The kitchen features a large island and a range inspired by early American hearths, surrounded by blue and white delft tiles.

Photo: Joseph Bradshaw

The kitchen features a large island and a range inspired by early American hearths, surrounded by blue and white delft tiles.

“I loved working with Erin,” Sabbe says. “There’s a different level of inner-home communication with a female architect. We’re two moms in the field. We’re the laundry-doers and the pantry-stockers. We’re good at navigating the home.” 

In the introduction to the chapter on the Parmer Avenue home, Sabbe writes that while she was working on this project, her mother—with whom she’d had a strained relationship for many years—moved in with her and her family in home hospice. Her breast cancer was spreading; it would eventually metastasize into her brain. Her telling of it is poignant, and heartbreaking, and laugh-out-loud funny. In light of that context, each detail of her renovation storytelling takes on a deeper meaning.  

“I have lived here just shy of ten years and under this roof I have rocked my babies, kissed my husband, and ushered my mother into heaven,” Sabbe writes of her own home. “Though a home may look pristine from the exterior, a life well lived rarely is.” Sabbe’s new book and her body of work is a thoughtful and hopeful testament to just that.

 

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Caroline Sanders Clements is the associate editor at Garden & Gun and oversees the magazine’s annual Made in the South Awards. Since joining G&G’s editorial team in 2017, the Athens, Georgia, native has written and edited stories about artists, architects, historians, musicians, tomato farmers, James Beard Award winners, and one mixed martial artist. She lives in North Charleston, South Carolina, with her husband, Sam, and dog, Bucket.