Jonathan Miles

Jonathan Miles, a Garden & Gun contributing editor, has been the magazine’s books columnist since 2012. He is the author of three novels, including Anatomy of a Miracle, which was a finalist for the Mississippi Institute of Arts and Letters Award in Fiction. A former resident of Oxford, Mississippi, he is currently Writer-in-Residence at the Solebury School in New Hope, Pennsylvania.

BOOKS

Some Go Home, Odie Lindsey’s charismatic debut novel, puts another fictional Mississippi town on the map

Arts & Culture

CNN analyst Bakari Sellers looks at the long-ignored lives of rural African Americans

Arts & Culture

In Race Against Time, a Mississippi journalist recounts the cold cases he helped solve

Books

The compelling saga of the Florida panther’s comeback

Adventures

In the rugged countryside around San Miguel de Allende, Mexico, a young and determined grape scene takes root

Books

With a new short story collection, the late Nancy Hale gets the acclaim she deserves

Books

An Appalachian Duet: Two books to add to your shelf this fall

Books

A real-life atrocity inspires Colson Whitehead’s heartbreaking new novel

Books

An iconic landscape architect’s Southern trek, revisited

Books

A quintessential collection of fishing essays still hooks the heart

Books

The lauded poet’s new collection entwines the South’s history with her own

Arts & Culture

Four new releases shake up the region’s culinary traditions

Books

A vanishing Virginia island foretells a changing coastline

Books

A preacher forced to examine his beliefs forsakes fire and brimstone for love

Books

A historian scopes out the country’s bond with hunting

Books

Two powerful new books find the justice system guilty

Books

You could put a bow on the latest best seller, but why not get creative?

Books

The meticulously crafted world of an American style legend

Artists

The rising Nashville star mines the bruising truth of her past for refreshingly real-life lyrics—songs that recall the best of what country music can be

Books

Jesmyn Ward’s latest novel expands the Southern canon