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Arts & Culture
October/November 2013
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Stephen Scott Young in his Eleuthera studio.
Photo: Cedric Angeles
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Bailing Out, Exuma Cay, 1999.
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Freedom (study), 2010.
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Young’s lighthouse that isn’t, on Eleuthera.
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The spiral staircase inside.
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Young Love, 1999.
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Allamanda Lane, 1992.
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Hatchet Bay Handline, 2011.
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A young boy takes a leap.
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Desert roses in front of a Harbour Island home.
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One of Young’s longtime subjects, Shelley Eugene.
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Young at work on a sketch.
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On Whale Point (Zaria), 2003.
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Sienna Scarf, 2010.
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The Tournament (first study), 1995.
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Zaria, 2000.
STYLE & FASHION
A little rain couldn’t dampen the bold styles on display in the stands at Churchill Downs
Saturday’s epic three-horse finish wasn’t the only thing worth an instant replay
Photographer Nerissa Sparkman captured the best looks at the Kentucky Derby and Kentucky Oaks this weekend, once more proving the race is only part of the show
Land & Conservation
The future of conservation in the South just got a little bit brighter—and not just for salamanders
The mounds may look insignificant, but they’re the craftsmanship of local crustaceans called lawn lobsters
The drawls are receiving a lot of flak across the internet, but a North Carolina linguist argues they’re actually pretty accurate
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