In the two years since Southern Avenue released its self-titled Stax debut, the Memphis band has brought its retro soul sound to festival stages around the world, earning new fans and critical accolades along the way. Keep On, a twelve-song stunner recorded at Sam Phillips Recording studio, delivers on the band’s burgeoning reputation with tracks like the inherently danceable “Jive” and the bluesy album closer, “We’re Gonna Make It.”
On his first release since 2017’s highly personal Kids in the Street, Justin Townes Earle turns his focus outward with an album that speaks to the struggles of everyday Americans from a variety of perspectives. “Don’t Drink the Water” tackles the environmental and health costs of greed in coal country, while in “Over Alameda,” a mother dreams of providing a better life for her children.
Essential Tracks: “Over Alameda,” “Ain’t Got No Money”
When she arrived on the Americana scene at nineteen, Lucette served up serious Bobbie Gentry vibes with the murderous single “Bobby Reid.” Five years later on Deluxe Hotel Room, her Sturgill Simpson–produced sophomore release, she displays the same knack for storytelling while expanding her musical range, from sinister, pulsing beats (“Full Moon Town”) to bare-bones piano ballads (“Lover Don’t Give Up On Me”).
Essential Tracks: “Deluxe Hotel Room,” “Lover Don’t Give Up On Me”
Tarriona “Tank” Ball cut her teeth as a competition-winning slam poet, a fact evident on Green Balloon, Tank & the Bangas’ major-label debut, in trippy spoken-word interludes and hip-hop inflected songs such as “Smoke.Netflix.Chill.” But the frontwoman for the New Orleans ten-piece is an equally adept singer, as she ably demonstrates on the piano ballad “Mr. Lion.” Green Balloon’s standout number, though, might be “Spaceships”—a bouncy, sing-song gem perfect for a summer playlist.
Nashville’s Caroline Spence has quietly been building a name for herself as a stellar songwriter, and it’s easy to see why on her latest full-length, Mint Condition. Simple strumming behind the title track allows the lyrics to shine as they praise a long-term love that forever feels brand new. “Nothing ’bout you ever gets old,” she sings, and right now, it feels like nothing about this record will either.
Essential Tracks: “Mint Condition,” “Who’s Gonna Make My Mistakes”
Front Porch is a return to the stripped-down sound that won Joy Williams acclaim as one-half of the harmonizing duo the Civil Wars. The measured crescendos of “The Trouble with Wanting” convey a deep sense of longing, while “Look How Far We’ve Come” pairs tender vocals with a lone guitar. For Williams, whose previous two efforts leaned into pop, Front Porch feels like a homecoming.
Essential Tracks: “The Trouble with Wanting,” “Look How Far We’ve Come
Mavis Staples has accomplished multitudes in her decades-long career, both as a musician and a prominent voice of the Civil Rights Movement, and her latest work is as strong as ever. The title track exudes Staples’s well-known love and positivity (“We get by with help from our kin / We get by through thick and through thin”), while the lead single, “Change,” is a powerful reminder that there’s a lot of work left to be done. Produced by Ben Harper, who appears on the title track,We Get By proves the living legend, celebrating her eightieth birthday this summer, is still one of our most vital voices.
Fresh albums from icons including Tanya Tucker, Bobby Rush, and Vince Gill—plus an Appalachian powerhouse, a potent R&B debut from Atlanta, and more of our top picks
For almost fifty years, they carried the bags of golf legends but also masterminded victories from the tees to the holes. Then, with one decision, their lives shifted, and the legacy of their glory days went unheralded. Finally, that’s changing